Canberra's ongoing debate over its historical representation takes an intriguing turn with the announcement of a new solo statue of Marion Mahony Griffin. This decision has sparked controversy and raised questions about the city's approach to honoring its past. The article delves into the personal and professional journey of Marion Mahony Griffin, highlighting her significant contributions to the design of Canberra. It explores the historical context of her often-overlooked role, especially in comparison to her husband, Walter Griffin. The author expresses concern that a solo statue might be an over-correction, given the recent efforts to restore her reputation and the ongoing recognition of the Griffin legacy as a couple. The piece also criticizes the National Capital Authority's (NCA) decision, suggesting that a joint bronze sculpture of the Griffins would be a more fitting tribute. The author's personal perspective is evident throughout, emphasizing the importance of balanced representation and the need to avoid tokenism in public art. The article concludes by calling for a more comprehensive approach to honoring the Griffins, including the consideration of a joint sculpture and the restoration of Walter's name, which was incorrectly changed to Lake Burley Griffin.
